Winner, 2023 Booker Worthern Literary Prize
For nearly a century, British expatriate Charles Joseph Finger (1867–1941) was best known as an award-winning author of children’s literature. In Shared Secrets, Elizabeth Findley Shores relates Finger’s untold story, exploring the secrets that connected the author to an international community of twentieth-century queer literati.
As a young man, Finger reveled in the easy homosociality of his London polytechnical school, where he launched a student literary society in the mold of the city’s private men’s clubs. Throughout his life, as he wandered from England to Patagonia to the United States, he tried to recreate similarly open spaces—such as Gayeta, his would-be art colony in Arkansas. But it was through his idiosyncratic magazine All’s Well that he constructed his most successful social network, writing articles filled with coded signals and winking asides for an inner circle of understanding readers.
Capitalizing on the publishing opportunities of the day, Finger used every means available to express his twin loves—literature and men. He produced an enormous body of work, and his short, semiautobiographical fiction won some critical acclaim. Ultimately, the children’s book that won Finger a Newbery Medal ushered him into the public eye, ending his development as an author of serious queer literature.
Shared Secrets is both the story of Finger’s remarkable, adventurous life and a rare look at a community of gay writers and artists who helped shaped twentieth-century American culture, even as they artfully concealed their own identities.
Sherwood Anderson: A Writer in America is the definitive biography of this major American writer of novels and short stories, whose work includes the modern classic Winesburg, Ohio. In the first volume of this monumental two-volume work, Walter Rideout chronicles the life of Anderson from his birth and his early business career through his beginnings as a writer and finally to his move in the mid-1920s to “Ripshin,” his house near Marion, Virginia. The second volume will cover Anderson’s return to business pursuits, his extensive travels in the South touring factories, which resulted in his political involvement in labor struggles and several books on the topic, and finally his unexpected death in 1941.
No other existing Anderson biography, the most recent of which was published nearly twenty years ago, is as thoroughly researched, so extensively based on primary sources and interviews with a range of Anderson friends and family members, or as complete in its vision of the man and the writer. The result is an unparalleled biography—one that locates the private man, while astutely placing his life and writings in a broader social and political context.
Janice Gary never walked alone without a dog - a big dog. Once, she was an adventurer, a girl who ran off to California with big dreams and hopes of leaving her past behind. But after a brutal rape, her youthful bravado vanished, replaced by a crippling need for safety. When she rescues a gangly Lab-Rottweiler pup,Gary is sure she’s found her biggest protector yet. But after Barney is attacked by a vicious dog, he becomes a clone of his attacker, trying to kill any dog that comes near him. Walking with Barney is impossible. Yet walking without him is unthinkable.
After years of being exiled by her terror and Barney’s defensiveness, Janice risks taking her dog to a park near the Chesapeake Bay. There, she begins the messy, lurching process of walking into her greatest fears. As the leash of the past unravels, Barney sheds the defensive behaviors that once shackled him and Gary steps out of the self-imposed isolation that held her captive for three decades. Beautifully written, Short Leash is much more than a “dog story” or a book about recovering from trauma. It is a moving tale of love and loss, the journey of a broken soul finding itsway toward wholeness.
Shouting Down the Silence presents the first complete biography of Stanley Elkin, a preeminent novelist who consistently won high marks from critics but whose complexities of style seemed destined to elude the popular acclaim he hoped to attain. From the publication of his second novel, A Bad Man, in 1967 to his death in 1995, Elkin was tormented by the desire for both material and artistic success.
Elkin's novels were taught in colleges and universities, his fiction received high praise from critics and reviewers (two of his novels won National Book Critics Circle Awards), and his short stories were widely anthologized--and yet he was unable to achieve renown beyond the avant-garde, or to escape the stigma of being an "academic writer." He wanted to be Faulkner, but he had trouble being Elkin.
Drawing on personal interviews and an intimate knowledge of Elkins's life and works, David C. Dougherty captures Elkin's early life as the son of a charismatic, intimidating, and remarkably successful Jewish immigrant from Russia, as well as his later career at Washington University in St. Louis. A frequent participant at the annual Bread Loaf Writers' conference, he was the friend--and sometime antagonist--of other important writers, particularly Saul Bellow, William Gass, Howard Nemerov, and Robert Coover.
Despite failed attempts to bridge the gap from his academic post to wide popular success, Elkin continued to write essays, stories, and novels that garnered unerring praise. His was a classic dilemma of an intellectual aesthete loath to make use of the common devices of popular appeal. The book details the ambition, the success, the friction, and the foibles of a writer who won fame, but not the fame he wanted.
An interdisciplinary study of Katherine Anne Porter’s troubled relationship to her Texas origins and southern roots, South by Southwest offers a fresh look at this ever-relevant author.
Today, more than thirty years after her death, Katherine Anne Porter remains a fascinating figure. Critics and biographers have portrayed her as a strikingly glamorous woman whose photographs appeared in society magazines. They have emphasized, of course, her writing— particularly the novel Ship of Fools, which was made into an award-winning film, and her collection Pale Horse, Pale Rider, which cemented her role as a significant and original literary modernist. They have highlighted her dramatic, sad, and fragmented personal life. Few, however, have addressed her uneasy relationship to her childhood in rural Texas.
Janis P. Stout argues that throughout Porter’s life she remained preoccupied with the twin conundrums of how she felt about being a woman and how she felt about her Texas origins. Her construction of herself as a beautiful but unhappy southerner sprung from a plantation aristocracy of reduced fortunes meant she construed Texas as the Old South. The Texas Porter knew and re-created in her fiction had been settled by southerners like her grandparents, who brought slaves with them. As she wrote of this Texas, she also enhanced and mythologized it, exaggerating its beauty, fertility, and gracious ways as much as the disaffection that drove her to leave. Her feelings toward Texas ran to both extremes, and she was never able to reconcile them.
Stout examines the author and her works within the historical and cultural context from which she emerged. In particular, Stout emphasizes four main themes in the history of Texas that she believes are of the greatest importance in understanding Porter: its geography and border location (expressed in Porter’s lifelong fascination with marginality, indeterminacy, and escape); its violence (the brutality of her first marriage as well as the lawlessness that pervaded her hometown); its racism (lynchings were prevalent throughout her upbringing); and its marginalization of women (Stout draws a connection between Porter’s references to the burning sun and oppressive heat of Texas and her life with her first husband).
Southern Womanhood and Slavery is the first full-length biography of Louisa S. McCord, one of the most intriguing intellectuals in antebellum America. The daughter of South Carolina planter and politician Langdon Cheves, and an essayist in her own right, McCord supported unregulated free trade and the perpetuation of slavery and opposed the advancement of women’s rights. This study examines the origins of her ideas.
Leigh Fought constructs an exciting narrative that follows McCord from her childhood as the daughter of a state representative and president of the Bank of the United States through her efforts to accept her position as wife and mother, her career as an author and plantation mistress, and the Union invasion of South Carolina during the Civil War, to the end of her life in the emerging New South. Fought analyzes McCord’s poetry, letters, and essays in an effort to comprehend her acceptance of slavery and the submission of women. Fought concludes that McCord came to a defense of slavery through her experience with free labor in the North, which also reinforced her faith in the paternalist model for preserving social order.
McCord’s life as a writer on “unfeminine” subjects, her reputation as strong-minded and masculine, her late marriage, her continued ownership of her plantation after marriage, and her position as the matron of a Civil War hospital contradicted her own philosophy that women should remain the quiet force behind their husbands. She lived during a time of social flux in which free labor, slavery, and the role of women underwent dramatic changes, as well as a time that enabled her to discover and pursue her intellectual ambitions. Fought examines the conflict that resulted when those ambitions clashed with McCord’s role as a woman in the society of the South.
McCord’s voice was an interesting, articulate, and necessary feminine addition to antebellum white ideology. Moreover, her story demonstrates the ways in which southern women negotiated through patriarchy without surrendering their sense of self or disrupting the social order. Engaging and very readable, Southern Womanhood and Slavery will be of special interest to students of southern history and women’s studies, as well as to the general reader.
With the exception of Poe, no American writer has proven as challenging to biographers as the author of The Red Badge of Courage. Stephen Crane’s short, compact life—“a life of fire,” he called it—continues to be surrounded by myths and half-truths, distortions and outright fabrications. Mindful of the pitfalls that have marred previous biographies, Paul Sorrentino has sifted through garbled chronologies and contradictory eyewitness accounts, scoured the archives, and followed in Crane’s footsteps. The result is the most complete and accurate account of the poet and novelist written to date.
Whether Crane was dressing as a hobo to document the life of the homeless in the Bowery, defending a prostitute against corrupt New York City law enforcement, or covering the historic charge up the San Juan hills as a correspondent during the Spanish-American War, his adventures were front-page news. From Sorrentino’s layered narrative of the various phases of Crane’s life a portrait slowly emerges. By turns taciturn and garrulous, confident and insecure, romantic and cynical, Crane was a man of irresolvable contradictions. He rebelled against tradition yet was proud of his family heritage; he lived a Bohemian existence yet was drawn to social status; he romanticized women yet obsessively sought out prostitutes; he spurned a God he saw as remote yet wished for His presence.
Incorporating decades of research by the foremost authority on Crane’s work, Stephen Crane: A Life of Fire sets a new benchmark for biographers.
This Badger Bio shares the story of author Sterling North – his adventures and misadventures as a young boy growing up in Edgerton, Wisconsin. Young readers will learn how North’s early experience in Wisconsin influenced him in writing some of his best loved children’s books – such as Rascal and So Dear To My Heart.
The story gives readers a glimpse of early 20th century customs and lifestyles in the rural Midwest. It also includes global issues of the time, including World War I and the Spanish flu pandemic, which greatly affected Sterling’s boyhood. As examples, his admired older brother Hershel served overseas in WWI as Sterling was growing up, bringing world events to the North family’s doorstep. His mother Gladys died when Sterling was only 7 years old because of the lack of medical advances in the early 1900s. And, as a young man, Sterling was hit by polio, a common epidemic scourge that left many children with paralysis.
Readers will learn of Sterling North’s successes, not only as a beloved author of children’s books, but as a columnist for the Chicago Daily News, an editor of North Star children’s history books, and a well-respected critic of other children’s literature.
One of the first celebrity authors, Harriet Beecher Stowe (1811–1896) became famous almost overnight when Uncle Tom’s Cabin—which sold more than 300,000 copies in its first year of publication—appeared in 1852. Known by virtually all famous writers in the United States and many in England and regarded by many women writers as a role model because of her influence in the literary marketplace, Stowe herself was the subject of many books, articles, essays, and poems during her lifetime.
This volume brings together for the first time a range of primary materials about Stowe’s private and public life written by family members, friends, and fellow writers who knew or were influenced by her before and after Uncle Tom’s Cabin catapulted her to fame. Included are periodical articles by Fanny Fern and Charles Dudley Warner; biographical essays by Sarah Josepha Hale and Rose Terry Cooke; letters by Oliver Wendell Holmes, Elizabeth Barrett Browning, and Harriet Jacobs; recollections by Frederick Douglass, Annie Adams Fields, Isabella Beecher Hooker, and Charles Beecher; and poems by Paul Laurence Dunbar and John Greenleaf Whittier. An introduction at the beginning of each essay connects it to its historical and cultural context, explanatory notes provide information about people and places, and the book includes a detailed introduction and a chronology of Stowe’s life.
The thirty-eight recollections gathered in Stowe in Her Own Time form a biographical narrative designed to provide several perspectives on the famous author, sometimes in conflict and sometimes in agreement but always perceptive. The figure who emerges from this insightful, analytical collection is far more complex than the image she helped construct in her lifetime.Contributors. Daniel Cooper Alarcón, Lori Askeland, Stephanie Athey, Nancy Bentley, Lauren Berlant, Michele A. Birnbaum, Kristin Carter-Sanborn, Russ Castronovo, Joan Dayan, Julie Ellison, Sander L. Gilman, Karla F. C. Holloway, Annette Kolodny, Barbara Ladd, Lora Romero, Ramón Saldívar, Maggie Sale, Siobhan Senier, Timothy Sweet, Maurice Wallace, Elizabeth Young
While known primarily as a cultural critic and novelist, Sontag was also a filmmaker, stage director, and dramatist. It was her status as a pop icon that was unusual for an American intellectual: she was filmed by Andy Warhol and Woody Allen, photographed by Annie Leibovitz and Diane Arbus, and her likeness adorned advertisements for Absolut vodka. Drawing on newly available sources, including interviews with Nadine Gordimer, Robert Wilson, and Sontag’s son, David Rieff, as well as on myriad interviews given by Sontag and her extensive correspondence with her friend and publisher Roger Straus, Schreiber explores the roles that Sontag played in influencing American public cultural and political conversations.
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